![]() ![]() ![]() When you watch it on DVD, Tommy Gibbs staggers back to his old neighborhood, where a gang of black street thugs jumps him and presumably kills him. It contains a minute's worth of footage that was lopped off by Cohen after the first screenings. Here's a crucial bit of information one must know before viewing Black Caesar today: The ending on the DVD is different from how audiences experienced it in theaters in 1973. Also, the Payback album served as the score for Guy Ritchie's popular Lock, Stock, and Two Smoking Barrels twenty-four years later. Brown released the rejected music on his Payback album, which was aptly named because its title track hit #1 on Billboard's soul chart, while Starr's song only managed to reach #110 on the pop chart and was shut out of the soul listings. He had done the same thing with his music for Slaughter's Big Rip-Off (1973), and when Cohen requested to use a Brown soundtrack for the Black Caesar sequel ( Hell Up in Harlem), American International rejected it, opting instead for Motown's Edwin Starr. James Brown's soundtrack gives the movie added muscle, with his smoldering version of Bodie Chandler and Barry De Vorzon's "Down and Out in New York City" as its theme.Īccording to the film's director Larry Cohen in Reflections on Blaxploitation: Actors and Directors Speak (2009), the Godfather of Soul had a habit of ignoring directors' time specifications for each cue, saddling them with extra editing work. Loosely based on the 1931 gangster classic Little Caesar, it tells the story of Tommy Gibbs (Fred Williamson), who climbs the organized crime ladder and becomes the scourge of New York City's corrupt lawmakers. Black Caesar tends to get mentioned as one of the blaxploitation flim genre's better moments. ![]()
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